The Body as an Artifact

 

By Stephanie Erdman Forsythe

My bruises compress the tissue beneath, 
like the ancient footprints of terrible lizards 
in now-dry riverbeds. As the body erodes, 

my weathered hardness, my earned density,
will slowly surface in relief—the shapes 
of hands and door jambs

table legs and bike pedals 
car crashes and river rocks. 
Pressed against emergent bone, read 

like Braille, a history of textures, 
briefly brushing contact 
that shouldn’t have left marks. My bruises  

condense one over the other; 
like tree rings, like tooth enamel, 
like the rainbow inside a jawbreaker.  

When my shell is excavated, when 
my core samples are harvested, when 
my cross-sections are documented, 

 science will remember my real age 
and deeply stratified pain, the tangles 
to dig out of sleep. The tangible 

drag, like swimming fully clothed 
with the suck of silt to the knees. My bruises 
blossom from the marrow of my bones 

after latent years in dormant seed. 
The kissing wind waking 
the bloom of blood inside the aril  

and rising to the sunlight
in the deepest purple I’ve ever seen; 
a subcutaneous bleed I don’t remember earning.